My mother and I have always joked that our family is good at
death. My husband maintains that rather than being good at it, we are obsessed
with it. To someone from Los Angeles who grew up without religion it probably
does seem that way. I reply that his family is our obverse. They are a wedding
family: extremely good at celebrating the joy in life and completely at a loss
when it comes to death. I'd say that each could probably take a page from the
other. But it doesn't really work that way.
We are undeniably good at funerals. As small a family
as we are, for a long time we were top heavy with oldsters, and every year there was a great-uncle or a great-aunt or a grandparent to mourn. We still
observe the rituals of an earlier time. There is no black crape over the door
and we don't wear mourning clothes for a year, but we mostly follow the script
that our ancestors did. We do things the way they have always been done. We
have visitations at Pearson's. We have church funerals at St. Andrews, we sing "For
All the Saints". We bury our dead at Cave Hill, and then afterward we have
wakes at home and serve melon balls and country ham sandwiches and cheesecake
brownies.
I know how to behave at a funeral in Louisville, Kentucky. I
know what to wear (although my mother did complain that my black Banana
Republic sweater was too low-cut for my aunt Ellen's funeral). I know how to
sit on a brocade sofa with someone who is no longer able to stand for long and
listen to an incomprehensible tale about something that happened in 1936. I
know how to subsume my emotions, whatever they are, into the task at hand. I
know how to dole out tears like hand soap; just a little bit and at the
appropriate time.
Balthazar died in a foreign country; that is, he died in
Portland, Oregon. I had never been the primary mourner before, only a
supporting character. My job had always been to look nice and be polite and
represent the family. I had never organized a funeral, and I didn't know what
to do when it was a baby and not an eighty-seven year-old with organ failure.
There was no reporter from the Courier-Journal on the phone. The only family I
was representing was the family that had almost been four.
I called Holman's Funeral Home on Hawthorne because they
handled the arrangements when my friend Gwen's father died and she said they
were good. I arranged for a memorial service at Westminster Presbyterian
because I couldn't bear the thought of doing nothing. But we didn't invite
family to fly in, though there was time. We didn't invite anyone, feeling
strange about asking people to come when they didn't know him. We were the only
ones who knew him.
I told Laurie, the minister, that I didn't want "For
All the Saints". That hymn is for my grandfather, someone resting from his
long years of earthly labor, not for Balthazar, who never got to do anything. I
asked for Our God Our Help in Ages Past, but I warned Laurie I wouldn't be able
to sing, which was a good thing since the words would ring pretty false. I
asked for O Waly Waly, which I once heard Judy Collins sing at the Cathedral of
St. John the Divine. I asked for Ashoken Farewell and the minister found a
soloist to play it on the violin. My father and I had had our first dance at my
wedding to that song. At the time I wondered why the band had picked it. Was he
really supposed to be that sad that I was married and leaving him? That was not
the kind of dad I had at all. But for the funeral of a baby, evoking as it did
all of the mothers who had lost sons in the Civil War, it was perfect.
I chose a Wendell Berry poem from a book the minister had
sent. You'd think I'd be better at picking poems than I am. My mental
storehouse is somehow better at collecting and remembering music. I knew
Auden's "Funeral Blues" was wrong. A poem for an adult, not a child.
I thought Wendell Berry was right, the way Ashoken Farewell was right. I had
wrapped the child in a Churchill Weavers blanket and I would make his funeral
as redolent of Kentucky as I could. Jonathan wanted the Walt Whitman, so that
went into the program too.
I wore a black dress I'd bought in the fall to wear to give
a talk at a book group luncheon, black tights, black suede ballet flats, and an
old green cardigan sweater with a missing button. Most of my clothes still
didn't fit. The minister asked if we wanted to have a coffee afterward, but
since we didn't invite anyone that seemed unnecessary.
We sat there, the three of us, Jasper in the middle,
Balthazar's ashes on a dais, still in the little cardboard box. I'd been on the
internet at 3 in the morning for several days, looking, without success, for an
attractive extra small urn.
I feel manipulative writing about extra small urns, like
Ernest Hemingway with his six word short story: "For Sale: Baby shoes,
never worn." I can't think of anything sadder than trying to choose an
extra small urn. But it's the truth. It's what I did. All the time thinking,
this is ridiculous. I couldn't make this stuff up.
I hated all the urns. The ones for kids were so cheesy, with
teddy bears and Mary Engelbreit-looking angels on them. Then I started feeling
guilty for having such thoughts. Was I really considering a matter of taste
with regard to my dead baby? But yes. My dead baby would not be a cheesy one.
He would be dead in the style I preferred. I ordered a Ukrainian wooden box
from Etsy, but it didn't arrive in time.
Gwen's husband had cut some lilacs from their garden and
arranged them in a simple glass vase, which stood on the dais next to the
ashes. I was glad I'd thought to bring them. All the funerals I'd gone to, the
church had been filled with flowers, but the day before the service it occurred
to me that it was because people had sent them, and then other people had
transported them to the church. The flowers people had sent us three weeks
before were already droopy. But a single vase of fresh lilacs was more
appropriate anyway.
There were a few other people there, members of the church.
Someone I'd been on a committee with. An older couple I recognized but didn't
really know. The education director. The music was played and the poems read,
and the minister spoke of Balthazar's journey being done. Jonathan and I both
cried unceasingly. Jasper patted one of us, then the other. My grandmother
would have called them 'love taps'. For three weeks Jonathan and I had been
taking turns losing it and I worried what Jasper would feel, seeing both of his
parents utterly incapacitated at the same time, but there was nothing to be
done. Then Jasper cried, too, and we patted him. I kept my arm tightly around
him. For him or for me? I don't know.
Balthazar was cremated, not buried. My first thought had
been to bury him at Lone Fir Cemetery on Stark Street, but Jonathan wanted him
cremated. My mother asked if I wanted to bury his ashes at Cave Hill.
"She's saying that he is a part of her family," my
therapist said. It was a powerful
symbolic gesture, offering him a coveted place in the family section, but I
said no. I said that his home was here, and that I couldn't bear it for him to
be so far away from me. I thought that eventually we would take his ashes up
Top Spur, maybe scatter them at McNeil Point on Mt. Hood, but neither of us had
the heart to do it this summer. We may never have the heart to do it.
The way people live is always changing, but death hasn't
changed. The emotions of grief and loss have not changed. In the midst of life
we are in death, and it must be acknowledged. Balthazar had a nice memorial
service, as right and appropriate as any funeral in my family. Even if when my
mom and I said we were good at death we didn't know what the hell we were
talking about.