At the beginning of the last school year my friend Gwen and
I were on the playground at Glencoe, watching our boys run around and talking
about fate.
"Do you realize," I said, doing some quick
calculations, "that, say, two of the families at this school are going to
have something really tragic happen to them? We just don't know which ones
yet."
"Where'd you get that math?" Gwen asked
skeptically.
I admitted that I had pulled it right out of my ass. Still,
she agreed that the premise was sound. Tragedy was going to strike. Not a
tsunami, probably not an earthquake that would flatten the school and kill
everyone inside, like in China. But statistically speaking, someone was fucked.
"Someone here is going to take a bullet for the rest of
us," I said.
I am pretty certain that I'm not the only person to do that
kind of mental calculus. Still, it felt pretty creepy when the someone who was
doomed was my baby, and the person who was fucked was me.
I'm shy. It isn't easy for me to strike up conversations,
make small talk, cultivate casual friendships. But when my son started
kindergarten and I was standing in the hall outside his classroom every day
waiting to pick him up, I made an effort. I cooed over little brothers and
sisters and listened to stories about hoof and mouth disease and the crazy
neighbor and the best contractor for a kitchen remodel. I contributed my own
anecdotes of questionable interest: the trip to Louisville, the barking dogs
that keep us up at night, how the kale was doing. I did it for my son, to help
make a place for him in the school and in the community, and thank God I did,
because when Balthazar died, those (mostly) mothers were who I had.
Balthazar was born on Tuesday night. I went back to the
playground Friday afternoon. I was bleeding and incontinent, but I had to go. I
knew if I hid I might never reappear and I couldn't live my life like that,
afraid to go to the grocery, forced to switch to a different hair stylist who
would never get my color right. Jonathan went with me and I brought a camp
chair to sit in. It made me feel conspicuous, but there was no way to blend in
anyway. Everyone at the school knew who I was. I was famous. I was Tragedy Mom.
Being a writer means trying to connect with people by going
into a room by yourself and closing the door. There is exposure, yes, but also
a measure of protection in being a step removed from people. Being Tragedy Mom
is more like being an actor whose sex tape was just leaked to the internet.
The way the air shivers when you walk into a room. People smell a charge in the
atmosphere and turn around to look. All of the eyes are on you.
I don't like eyes on me. I had to take a Klonopin to make it
down the aisle.
Being the locus of so many people's attention, for the brief
time that I was, forced me to ask myself what it is that I'm hiding from. Am I
afraid I will break down in tears on other people? Am I afraid the other people
will break down in tears on me? Am I afraid to accept help? Am I afraid to be
vulnerable, to be human? I think what I am most afraid of is reaching out my
arms for help and there being no one there.
What I encountered instead was an outpouring of generosity
and grace. Flowers. Food. Cards and trees and donations to charities. Women I
didn't recognize (and I'm good at recognizing people) showed up at our door
with things. Women whose names I didn't know hugged me in the halls. Almost
everyone tried, in some way, to show their concern. I cried on some people's
shoulders, and some of them shed tears for me. It was all awkward and painful
and of course it wasn't enough. But it was more than I ever could have
imagined.
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